King & Phillip住宅大樓門廳
澳大利亞 / fjcstudio
King & Philip大樓的門廳設(shè)計(jì)靈感來源于最高法院和圣詹姆斯教堂的經(jīng)典幾何的形狀、比例與令人感到溫暖的材質(zhì),與殖民地遺產(chǎn)區(qū)的肌理形成了鮮明的對比,并以抽象的方式與當(dāng)?shù)刈匀痪坝^和氛圍聯(lián)系起來。

一系列曲線形的葉片狀木板從門廳處延伸至涼亭的天花板上。這些模板以放射狀的形態(tài)形成肋骨拱,就像桉樹樹葉中的脈紋一樣。設(shè)計(jì)者在緊湊的平面圖中,通過使用細(xì)致的反射,營造出一種宏大且充滿戲劇性的特殊延伸感。樹葉形的拱頂幾乎延伸至墻基之上的無盡的森林大廳。相互交織的樹葉形模板在涼亭、門廳和電梯大廳之間交替游走。
▼拱頂結(jié)構(gòu)手繪圖,hand drawing ? fjcstudio

A series of curvilinear leaf-life timber panels extends from deep within the foyer out to line the ceilings of the loggia. These timber panels are jointed and ribbed in a radial form like the vein patterns in Eucalyptus leaves. Within the compact floor plan a sense of generosity and dramatic special extension is created through carefull use of reflections. The leaf vaults seem to extend into an endless forest hall above the datum of the wall panelling. The interlocking leaf panels are alternated and offset as they weave between the loggia, foyer and lift lobby.


材料選擇方面注重了經(jīng)濟(jì)實(shí)惠且可持續(xù),例如木材和能夠提高混凝土強(qiáng)度的輕質(zhì)玻璃纖維,同時(shí)也強(qiáng)調(diào)了材料工藝的細(xì)節(jié)和質(zhì)量。
這個(gè)空間并不大,而且電梯大堂的位置不可避免的是空間更為狹窄,為了在占地面積如此小的情況下打造一個(gè)獨(dú)特的空間,并為住戶設(shè)置令人愉悅的入口體驗(yàn),設(shè)計(jì)者需要在控制預(yù)算的前提下精準(zhǔn)地規(guī)劃門廳空間和其它所有元素,為住戶提供最便利的服務(wù)設(shè)施。



住宅內(nèi)部的設(shè)計(jì)傳遞了一種溫暖、平和、精致之感。黃銅材質(zhì)King and Philip的標(biāo)志簡單的嵌入了地板中,體現(xiàn)了門廳設(shè)計(jì)的巧妙與簡潔。郵箱處與禮賓臺均位于拱頂下方的金屬框架結(jié)構(gòu)內(nèi),并由綠色的大理石質(zhì)石墻分隔。墻面處設(shè)置的皮革軟墊座椅僅占用了極小的地板空間,同時(shí)也作為雕塑元素。


空間內(nèi)部使用的木板為天花板處的拱頂創(chuàng)建了一條基準(zhǔn)線,兩個(gè)水平的黃銅鑲嵌條不僅與木板相連接,還形成了水平方向上的韻律。當(dāng)人們穿過門廳進(jìn)入電梯大堂時(shí),能夠感受到柔和彎曲的額墻面緩和了方向上的變化。電梯廂的內(nèi)部設(shè)計(jì)是對門廳風(fēng)格的延伸,此處使用了帶有樹葉圖案的天花板、木質(zhì)的墻壁以及使用鏡子營造出空間延伸的錯(cuò)覺??臻g內(nèi)部均使用了經(jīng)濟(jì)實(shí)惠且可持續(xù)的材料,例如用于天花板的染色環(huán)松木、墻面處的塔斯馬尼亞橡木以及增大混凝土強(qiáng)度的輕質(zhì)玻璃纖維。設(shè)計(jì)者重點(diǎn)強(qiáng)調(diào)了這些材質(zhì)的工藝細(xì)節(jié)和質(zhì)量,并集中使用了天然石材。
The internal timber panelling creates a datum line for the vaults above and two horizontal brass inlays strips create a horizontal rhythm in addition to the vertical joints of the timber panelling. A gently curved wall softens the change of direction when moving through the foyer into the lift lobby. The interior of the lift car is a seamless extension of the foyer concept with a leaf motif ceiling, wall timber panelling and mirrors creating an illusion of space extending beyond. Affordable, sustainable materials have been used such as stained Hoop pine for the ceiling and Tasmanian oak for wall panelling, and light weight glass fibre reinforced concrete. An emphasis is placed on the detail and the quality of craft, with concentrated and limited use of natural stone.
▼電梯廂,The lift car ? Nicole England & Brett Boardman

項(xiàng)目與 Electrolight 合作生成了一個(gè)經(jīng)過深思熟慮的照明方案,該方案可以在沒有任何可見燈具的情況下使拱頂被照亮,以形成延伸空間的視覺幻覺。 隱藏在地板上的照明增強(qiáng)了木質(zhì)墻板的存在感,就好像是漂浮在地板上一樣。
It was essential to create a considered lighting scheme in collaboration with Electrolight that could illuminate the vaults without any visible light fittings to support the illusion of extended space. Concealed lighting at floor level enhance the appearance of the timber wall panelling as if floating above the floor.
▼平面圖,floor plan ? fjcstudio


Project size:76 m2
Completion date:2021
Building levels:0
Architecture, Interior Design, Urban:fjcstudio
Combined Services and Facade Engineers:ARUP
More: fjcstudio
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